Bergger has started selling Print Film, a blue sensitivee sheet film for doing duplication work in the darkroom AND, of course, as an alternate camera film. I bought a pack of 4X5 sheets as soon as I learned about.
I took the Graflex Crown Graphic down to FDR Park this weekend for a test run.
I developed these in a tray for 4 minutes using HC110 dilution A at room temperature, which I conveniently forgot to measure. The data sheet on this says to use any developer with the time of development affecting the amount of contrast. I went for the low-end of the time suggestions.
The good thing about Diana’s is that they are still relatively cheap. I picked up a new one off the eBay and took it for a spin yesterday.
These are shot in Ilford FP4+ and stand developed in HC-110.
I sometimes have difficulty talking about my work conceptually and tend to fall back on process.
Summer vacations, Diana, and Kodak Ektar. Here’s some of the places I went this summer.
Ricket’s Glen, PA
From the tracks
Last night I did a rough comparison of Foma MG131 paper and Ilford MGWT fiber paper in second pass lith. Not surprisingly, the Foma paper gives a slightly more lith look to the final result while the Ilford paper can sometimes look like a regular print. Here’s two examples.
I pulled this print a little early which gives it that partial brown tone. I like the colors and the happy accident of the chemical contamination.
This one almost looks like the original print, just with some mottling in the background.
Last night I tried a new process: lith redevelopment. I took some prints that I had done using standard developer, bleached them back, and redeveloped them in the lith. I like the softer brown tones I get compared to the strong yellow with regular lith.
Waiting to open.
Walked around South Philadelphia with my brother and sister this week. I took the Rolleiflex, loaded with Ilford Fp4.
Lately I have traded in photo walks for studio work. So this was a nice break and a chance to get outside and catch whatever light there was.
It was also fun to shoot with my siblings. We do this every so often and it’s always a good time. Seems photography runs in the family.
I’m pretty sure I’ve owned some type of Swiss Army knife since I was a teenager. I got my current knife sometime in the late 80s or early 90s. So almost 30 years. That means countless boxes opened, a bunch of IKEA furniture assembled, some light switch plates screws tightened, a few bottles of wine uncorked, and dozens of beer bottles uncapped. I don’t think I’ve used the awl tool that much. I know I used the long blade for something I shouldn’t have since the tip is broken off. The toothpick is long gone but the tweezers stuck around.
I was looking at it and thinking it might be time to get a new one. Then I got sentimental. There’s really no point in getting a new one. With all its issues, it still works. With a little luck, I will die owning this knife. Of course then it will probably end up in the trash. I can’t see my kids keeping it around.
I shot these pictures of the knife with an even older Nikon fm2 loaded with Ilford HP5 plus pushed to iso 3200 and developed in HC-110 dilution B
Plain Caffenol for Litho film may be just the cheap, low-impact developer I am looking for!
Expect test shots soon 🙂