Holiday Stroll

Walked around South Philadelphia with my brother and sister this week. I took the Rolleiflex, loaded with Ilford Fp4.

Lately I have traded in photo walks for studio work. So this was a nice break and a chance to get outside and catch whatever light there was.

It was also fun to shoot with my siblings. We do this every so often and it’s always a good time. Seems photography runs in the family.

This guy.
Corner store
Nice heads on these cabbages
Tree top
Dickensian holiday produce
I love corners

That’s a knife

I’m pretty sure I’ve owned some type of Swiss Army knife since I was a teenager. I got my current knife sometime in the late 80s or early 90s. So almost 30 years. That means countless boxes opened, a bunch of IKEA furniture assembled, some light switch plates screws tightened, a few bottles of wine uncorked, and dozens of beer bottles uncapped. I don’t think I’ve used the awl tool that much. I know I used the long blade for something I shouldn’t have since the tip is broken off. The toothpick is long gone but the tweezers stuck around.

I was looking at it and thinking it might be time to get a new one. Then I got sentimental. There’s really no point in getting a new one. With all its issues, it still works. With a little luck, I will die owning this knife. Of course then it will probably end up in the trash. I can’t see my kids keeping it around.

I shot these pictures of the knife with an even older Nikon fm2 loaded with Ilford HP5 plus pushed to iso 3200 and developed in HC-110 dilution B

It ain’t easy

I have a hard time shooting color landscapes in the summer. Everything seems like an undifferentiated mass of green to me. But maybe throw in a lake and a blue sky and white clouds?

These were shot with my Kodak Duoflex IV (faux TLR) on Ektar 100. I developed them at home using the FPP’s C41 kit.

Nothing better

There is nothing like the feeling of spending an afternoon mixing up a developer from scratch and then developing film with it and pulling negatives out of the tank to see actual images. It’s magic.

Today I mixed up a recipe from Peter Svensson (see this thread) based on Patrick Gainer’s PC-Tea:

…heat about 120 ml of TEA in pyrex container. I think about 200F is a good temperature. Then mix in 35g of Vitamin C-1000 and 6g of metol and stir to dissolve. Add TEA to make 150ml total.

To use as a one-shot:

  • MC-Tea 1:100 + 1/2 tsp sodium sulfate per ~250 ml water

Just mix the MC-Tea with water and sodium sulfate.

For Fomapan 200 (box speed) I develop for 13:30 minutes at 25° C. Agitation is 5 times every minute.

Spring059-2
Hammond Pond, Goshen Massachusetts

 

Stick a fork in it

I am done with the One Project! I’ve gone through 2 boxes of Arista Ortho Litho 3.0–that’s 100 sheets of film. It was really interesting project and I’ve learned a lot about large format and this film. I still feel like the exposure is kind of hit or miss for me, though in general I know it always seems to need more time.

I’m excited to keep working with the film. But I am also really itching to shoot some normal film stocks and my Diana :). Going forward I will reserve then Ortho Litho for some landscapes, for making lith prints, and for portraits.

Ortho Litho gives a nice look to portraits

Lith printing saves some bad negs

Delaware river redux

I spent a day down on the Delaware River Walk again with some of my last sheets of the Arista Ortho Litho 3.0. It was an overcast day, which means I probably should have added a few stops to my exposures.

At 1/10 of a second the buildings in the distance are underexposed
At 1 second things look pretty good

Shank’s looks good

I mostly shot wide open (F4.7) at 1/10 of a second based on the iPhone app. But I should know by now that on a cloudy day that is off.

Time heals

As a follow up to my previous post, I tried another test shot, this time adding a stop of time.

EI 0.8!

An EI of 0.8 had the expected result and delivered a negative that was significantly denser. There is still some loss in the shadows, but not nearly as much as with the EI 1.6 negative. I don’t understand how people are shooting this stuff at ISO 3 or 6!

These negs will never be bulletproof

Haven’t had time to test print, but here is a scan that I didn’t do anything to in LightRoom. Looks pretty good.

Scan with no fiddling in LightRoom

I don’t mind the loss of speed too much as I won’t be shooting this stuff handheld anyway. I’m glad to have the HC-110 developing option since I won’t have to buy more Dektol if I just want to shoot this occasionally.