Last year, I offered a coffee portrait session for Broad Street Ministry‘s online fundraising auction. Christine won the auction, and this weekend we managed to schedule the session. I love the results. They have a very 1930s look. Also, some really good longe exposure “mistakes”.
Idea for a new project: still life portraits of things that are important to me, taken with the Diana on fast film to enhance grain.
Here are some proof of concept shots of some of my cameras on Delta 3200. The first hurdle that needs to be overcome is that the closest the Diana focuses is 4 ft. I am going to rig up a diopter to get closer to 1 ft. The other hurdle is that the viewfinder for the Diana is wildly off, so I’m never quite sure what is in frame. Will have to play around with that one.
Our friend Eric came over for Brunch on Sunday so I broke out the Crown Graphic and Harman Direct Positive paper for some coffee goodness. I’m very pleased with results of this session.
Christine and Marc came over yesterday to watch the World Cup final. I took the opportunity to get some portraits.
They’re a very photogenic family.
I had an extra day off this week after the 4th, so I visited my parents and finally got them to sit for coffee portraits.
This past week, we went up to Dushore, PA for a few days with a group of friends. It was a great opportunity to take my caffenol portrait project on the road.
I convinced Michael and Kaela to sit for me on the first day even though the temperature was in the teens and I was going to shoot outside to take advantage of the low winter sun.
The house we stayed in had a long front porch that ran the length of its southern side. That seemed like the best place to start. Michael went first. I took a couple of quick shots at about 1-second exposure at f6.8. The only difficulty was a jam while reinserting one of the dark slides. Kaela went second and using the same exposure I made 4 exposures.
Of those shots, the ones of Michael came out really well. However, the ones with Kaela didn’t turn out quite as nice. The composition was a bit off and they weren’t quite in focus.
The next day we tried again, this time indoors, using light from one of the southern-facing windows and my makeshift key light. Kaela agreed to sit again. This time the exposure was about 4 seconds at f6.8. I say “about,” because I counted it off, ‘One one thousand, etc.”
This portrait of Kaela came out better. I was surprised by just how dark the background was in the final print. I would have preferred some more separation between Kaela and the background. She was sitting in the dining room, a good distance from the walls, and I expected more of that room to visible in the print. I can see now how important it is to pay attention to the background light as well. I still like the print. I think it looks like something from a German Dadaist in the 1920s.
My friend’s daughter Ana and my daughter Nora also agreed to sit for me. I shot them both in the same setup as I had for Kaela. Unfortunately, something was wrong with metering for Nora’s shot and it didn’t come out. The portrait of Ana came out better, but very dark in the background and with some weird spots.
I do like this look for the portrait, but I would have liked to see another option that had more of a background. And I have no idea what caused the white spots.
- Think about the tonal separation between the foreground and the background
- Take at least 4 shots for each sitting
- Double check the metering
My good friends from graduate school, Brett and Eric, were in town recently for a reunion of sorts. This was another opportunity to work with my Coffee With Friends project. Now that I got the whole washing soda/Borax issue worked out, I was hoping to get some nicer prints. Well, yes and no.
First of all, due to timing, I couldn’t get Eric to sit for me. I’ll have to get him next time he’s around. Second of all, with the days being short and trying to pack a lot in (Brett insisted on getting a cheesesteak at Pat’s) I decided to try having him sit inside rather than outside.
The Harman Direct Positive paper is very low ISO. It’s also blue sensitive so you can handle it under a red safelight. What that also means is that it’s much harder to shoot under regular indoor lights.
I had Brett sit on the couch and set the camera up with one key light to his left. This was a homemade setup using a simple clamp light fixture from the local hardware store and a compact fluorescent bulb. He had a window to his right, which wasn’t letting in a lot of light. I also had overhead LED lights and a standard bulb in a table lamp to the front and right of him. So he was pretty much bathed in light. Even so, it was a long exposure.
I had read online that the paper was roughly ISO 3. Using my iPhone meter app, the suggested exposure was 6 seconds wide open at f6.8 for ISO 3. I did two exposures at that time and Brett was a real trooper at holding still. Then I shot one exposure at 9 seconds and one at 12 seconds. Can’t believe he managed to sit still for those. The guy is a professional.
The 2 prints at 6 seconds came out way too dark. The 9-second print was better, but not great. The 12-second print looked good, but there was another issue. The camera had moved on the tripod. The viewfinder was off because it’s not calibrated to this lens.
- Get better lights
- Don’t let the camera move on the tripod
- Focus on the eyes
- Meter the face
For a while, I have been intrigued by a family photograph of my wife’s great uncle (Croce Cappellino, known to the family as “Uncle Priest”, since he was a priest). The photo looks like a formal, sepia-toned studio portrait. It was most likely shot on a 5×7 camera and the negative contact printed, as the film holder markings are visible on the edges. When I got my own large format, 4×5 camera I knew I wanted to make portraits like this, but I wasn’t sure exactly how to begin.
I recently learned about the Finnish studio, Cahute, shooting Harman Direct Positive paper and developing it in caffenol. Although they are shooting 8×10, the look intrigued me as well as the opportunity to create single, unique images. Other options I was thinking about were Van Dyke brown prints and lith prints. I already do a fair number of lith contact prints and I am still working out a light source for the Van Dyke brown. I may come back to both of those at some point though.
My goal is to take a few portraits each session and allow the subject to keep the best one. I will keep the next best one and archive them all in a Paperchase photo album, with some notes about the person and the session.
Here is the caffenol recipe I am using, Google-translated from the original French.
Add to 100 ml lukewarm water in a measuring cup:
1. Na2CO3 20g (80g / l), wait for complete dissolution then
2. Ascorbic acid ~ 1g (4 g / l) [1/2 teaspoon], mix well … then
3. 10g soluble coffee (40 g / l), mix well.
• Add cold water up to 250 ml, mix.
• Measure the temperature of the mixture and record it, this allows to know the effect of the temperature on the prints. With my protocol, the temperature was between 20 and 23 ° C and I had no problem so far.